Exhibition dates: 8th May – 16th August 2015
Curator: Walter Moser
Leave artist’s alone
It takes some time to form an opinion as to the merit of Lee Miller’s work, given the amount of photographs available online, including the ones available on the Lee Miller Archives website. It is also difficult to separate the muse/socialite from the artist, the icon from the person.
Certainly there are unforgettable photographs, such as the haunting SS Guard in Canal, Dachau, Germany (1945, below). Once seen, never forgotten. But then there are the usual fashion photographs for Vogue that are no different from anyone else, a lot of pretty average social documentary photographs, some excellent and not so excellent portraits of friends and artists, and some surreal offerings that sometimes hit the mark.
Only so often do her photographs raise themselves above the mundane. This is not the fault of Lee Miller, but the fault of people claiming that someone is more than they are. The fault of people in control of her image. And that all comes down to money and power.
Instead of limiting access to her photographs, if her work was just left to breathe – just letting Lee Miller be nothing, in a Zen sense – just let the work be what it is, then she and the work might attain more credibility than it has at the moment. If Lee Miller was not set up as this icon, if she just is, then the work would be all the better for it. Icon and artist need to be separated. Let’s see more of the work freely available, for only then can we truly understand, believe.
At the moment I have the feeling that this is a rather mediocre photographer being made out to be more than she was.
Marcus
.
Many thankx to the Albertina for allowing me to publish the photographs in the posting. Please click on the photographs for a larger version of the image.
Lee Miller (1907-1977) is considered one of the most fascinating artists of the 20th century. In only 16 years, she produced a body of photographic work of a range that remains unparalleled, and that unites the most divergent genres. Miller’s oeuvre extends from surrealistic images to photography in the fields of fashion, travelling, portraiture and even war correspondence; the Albertina presents a survey of the work in its breadth and depth, with the aid of 100 selected pieces.
Lee Miller began her artistic career as a surrealist photographer in the Paris of 1929. She alienated motifs by using narrow image frames and applying experimental techniques like solarisation, so that it would be possible to see paradox reality. Travel photography, in which she translated the landscape into modernistic and ambiguous shapes, originated in Egypt in 1934.
As one of just a handful of female photojournalists, she began to photograph the disastrous consequences of the Second World War back in 1940. Lee Miller photographed the attack on London by the German Luftwaffe (“the Blitz”), as well as the eventual liberation of Paris. Her reporting led her to Vienna via Salzburg in 1945 where she photographed a cityscape destroyed by war, as well as the hardships in the children’s hospitals. In this exhibit, the focus is specifically placed on the vast bulk of this unpublished group of works.
Lee Miller | Surrealist Photography from Albertina Vienna.
Lee Miller | War Photography from Albertina Vienna.
Lee Miller (1907-1977)
Floating Head (Mary Taylor), New York Studio, New York, USA
1933
© Lee Miller Archives England 2015. All Rights Reserved
Man Ray
Portrait of Lee Miller, Paris, France
1929
© MAN RAY TRUST / ADAGP, Paris / Bildrecht Wien 2015
Courtesy Lee Miller Archives, England 2015. All rights reserved
Lee Miller (1907-1977)
Untitled (Exploding Hand), Paris, France
c. 1930
© Lee Miller Archives England 2015. All Rights Reserved
Lee Miller (1907-1977)
Self Portrait, New York Studio, New York, USA
1932
© Lee Miller Archives England 2015. All Rights Reserved
Lee Miller (1907-1977)
Paris
1944
Silver gelatin print
© Lee Miller Archives England 2015. All Rights Reserved
Lee Miller (1907-1977)
Picnic, Ile Sainte Marguerite, France [Man Ray second from right]
1937
© Lee Miller Archives England 2015. All Rights Reserved
Lee Miller (1907-1977)
Nude bent forward
1930
© Lee Miller Archives England 2015. All Rights Reserved
Lee Miller exhibition texts
Lee Miller (1907-1977)
Fire Masks, London, England
1941
© Lee Miller Archives England 2015. All Rights Reserved
Lee Miller (1907-1977)
Irmgard Seefried, Opera Singer, Singing an Aria from Madame Butterfly, Vienna Opera House, Vienna, Austria
1945
© Lee Miller Archives England 2015. All Rights Reserved
Lee Miller with David E. Scherman
Lee Miller in Hitler’s Bathtub, Munich, Germany
1945
© Lee Miller Archives England 2015. All Rights Reserved
Lee Miller (1907-1977)
Luxembourg
1944
© Lee Miller Archives England 2015. All Rights Reserved
Lee Miller (1907-1977)
SS Guard in Canal, Dachau, Germany
1945
© Lee Miller Archives England 2015. All Rights Reserved
Lee Miller (1907-1977)
Scharnhorst Boy, Vienna, Austria
1945
© Lee Miller Archives England 2015. All Rights Reserved
Lee Miller (1907-1977)
The latest hat model, Vogue Studios, London, April 1942
1942
© Lee Miller Archives England 2015. All Rights Reserved
Man Ray
Solarised Portrait of Lee Miller
c. 1929
© MAN RAY TRUST / ADAGP, Paris / Bildrecht Wien 2015
Lee Miller (1907-1977)
Solarized Portrait of an unknown model
1930
© Lee Miller Archives England 2015. All Rights Reserved
Man Ray and Lee Miller
Neck (Portrait of Lee Miller), Paris, France
c. 1930
© Lee Miller Archives England 2015. All Rights Reserved
© MAN RAY TRUST / ADAGP, Paris / Bildrecht Wien 2015
Albertina
Albertinaplatz 1
1010 Vienna, Austria
T: +43 (0)1 534 83-0
Opening hours:
Daily 10 am – 6 pm
Wednesday 10 am – 9 pm
Filed under: American, american photographers, beauty, black and white photography, documentary photography, existence, fashion photography, gallery website, intimacy, light, memory, Paris, photographic series, photography, portrait, psychological, reality, space, street photography, surrealism, time, works on paper Tagged: Albertina, Dachau, Dachau concentration camp, David E. Scherman, Exploding Hand, Fire Masks London, Floating Head, Floating Head (Mary Taylor), Irmgard Seefried, Irmgard Seefried Opera Singer, Lee Miller, Lee Miller Exploding Hand, Lee Miller Fire Masks London, Lee Miller Floating Head, Lee Miller Floating Head (Mary Taylor), Lee Miller in Hitler's Bathtub, Lee Miller Irmgard Seefried Opera Singer, Lee Miller Luxembourg, Lee Miller Nude bent forward, Lee Miller Paris, Lee Miller Picnic Ile Sainte Marguerite, Lee Miller Scharnhorst Boy Vienna, Lee Miller Self Portrait New York Studio, Lee Miller Solarized Portrait of an unknown model, Lee Miller SS Guard in Canal, Lee Miller Surrealist Photography, Lee Miller The latest hat model, Lee Miller Untitled (Exploding Hand), Lee Miller War Photography, Lee Miller with David E. Scherman, Lee Miller with David E. Scherman Lee Miller in Hitler's Bathtub, Man Ray, Man Ray and Lee Miller, Man Ray and Lee Miller Neck, Man Ray and Lee Miller Neck (Portrait of Lee Miller), Man Ray Portrait of Lee Miller, Man Ray Solarised Portrait of Lee Miller, Mary Taylor, Nude bent forward, Picnic Ile Sainte Marguerite, Portrait of Lee Miller, Scharnhorst Boy Vienna, Self Portrait New York Studio, Solarised Portrait of Lee Miller, Solarized Portrait of an unknown mode, SS Guard in Canal, surrealist photography, the Blitz, The latest hat model, travel photography, Vogue Studios, war photography
